Because George Lucas modeled the original 1977 Star Wars on classic movie serials like 1936’s Flash Gordon, the films that followed in the series have followed the pattern, and relied on similarly chapter-based quest plots. Big missions, like the attempt to blow up the second Death Star in Return of the Jedi, get broken down into smaller sub-missions, each of which keeps teetering on the brink of failure, necessitating yet another risky scheme. It’s a hooky way to tell a story — one cliffhanger at a time.
One of the main narrative threads in Rian Johnson’s Star Wars: The Last Jedi follows that same blueprint… at first. Then Johnson throws in a twist, which severely divided fans when the movie first came out in December 2017. When the...
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